The woman in black york
When a friend suggested a trip to the theatre to see The Woman in Black , I admit, I was a little apprehensive. But I decided to bite the bullet — after all, how scary can a theatre production be? Well, very scary as it turns out. The tale, of course, is that of The Woman in Black. Though a little slow to begin with, the pace soon quickens as the story begins to unfold and the pair find themselves in the midst of some very ghostly goings-on.
SEE VIDEO BY TOPIC: I Was in The Black Eyed Peas. Then I Quit. - 'Almost Famous' by Op-DocsContent:
Review: The Comforts of the Cozy Scare in ‘The Woman in Black’
The Woman in Black has taken up residence at the newly named Michael R. Klein Theatre on 7th Street NW and is prepared to chill the spines of all who enter. Prior to its stage debut, the story was a book by Susan Hill which Stephen Mallatratt adapted for the stage.
The experience of this touring production appears to be completely faithful to its London version. Director Robin Herford, in fact, has overseen every cast change and international production to date, and continues in this role once again. In the copious program notes — always a highlight of Shakespeare Theatre Company productions — Herford talks about the necessity of an economical production in a small, studio space as the original impetus for commissioning Mallatratt to work on adapting the modern ghost novel.
The resulting play is a wonderful, theatrical endeavor, heavy on the story-telling, complete with a play-within-a-play that is the actual vehicle for the macabre tale. I am loathe to discuss many other plot points for fear of ruining the experience for anyone who has not experienced this show. The Woman in Black is the type of play where I would almost expect the actors to insist the audience take an oath not to reveal its secrets.
The Woman in Black closes December 22, Details and tickets. He is met by a young actor whom Kipps has hired to help him tell the tale to an invited audience. The hired actor becomes the younger Kipps; Kipps himself shares the narrator duties and enacts all the other characters encountered along the way. Alice Drablow who lived in Eel Marsh House, an eerie mansion surrounded by dangerous marshlands.
As one might expect from the title, the young solicitor sees a woman in black at Mrs. Daniel Easton brings charm and earnestness as the Actor and the younger Kipps, and his rapport with Robert Goodale as the older Kipps is palpable.
Both men draw in the audience with their impeccable timing, and wide-eyed wonder at the increasingly terrifying tale. While not a script of great substance, Herford works many theatrical magic tricks into the performance which kept me on the edge of my seat. There are moments of outright jump-scares, well-timed and scattered throughout, as well as a building sense of dread of the dusty old Eel Marsh House. The atmospheric set, evoking an old, Victorian theatre, looks perfectly at home on the Klein Theatre stage, with strategic drop-cloths that will reveal more than meets the eyes as the tale unfolds.
If you enjoy the idea of a cozy seat in a darkened theatre where a couple of actors are ready to take you down darkened paths with a chilling story to keep you on the edge of your seat, this is the show for you. And you would be wise to keep the secrets of The Woman in Black. The Woman in Black by Stephen Mallatratt.
Based on the book by Susan Hill. Directed by Robin Herford. Featuring Robert Goodale and Daniel Easton. Associate Director Antony Eden. Set and costume designer Michael Holt.
Lighting designer Kevin Sleep. Original sound designer Rod Mead. Sound designer Sebastian Frost. Deputy stage manager Catherine Cooper. Produced by PW Productions. Presented by Shakespeare Theatre Company. Reviewed by Jeff Walker. When not attending shows and writing about them, he is a theatre educator for Fairfax County Public Schools. Previously, he served as the general manager for a weekly newspaper and worked for non-profit arts organizations.
He lives safely below the Beltway with his wife and family. Follow him on Twitter: jeffwalker Your email address will not be published. This site uses Akismet to reduce spam. Learn how your comment data is processed. Reprint Policy: Our articles may not be reprinted in full but only as excerpts and those portions may only be used if a credit and link is provided to our website. Share this: Click to share on Instagram Opens in new window Click to share on Twitter Opens in new window Click to share on Facebook Opens in new window Click to email this to a friend Opens in new window Click to print Opens in new window.
Leave a Reply Cancel reply Your email address will not be published. Sorry, your blog cannot share posts by email.
Box office: or at yorktheatreroyal. It is an old-fashioned piece, but delightfully so, with no high-tech special effects. Cue shrieks, gasps and nervous audience laughter that ripple outwards through the stalls to the dress circle in waves. I cannot bear the burden any longer. That burden is a stultifying obsession with the curse that he believes a spectral woman in a black cape with a wasted face has placed on his family.
Do you believe in ghosts? You might just after witnessing The Woman in Black , the theatrical ghost story now making audiences scream and jump out of their seats at the McKittrick Hotel. Even if you think the story is weak tea and I do , the stagecraft will make the hairs on the back of your neck stand at attention. The Woman in Black is Stephen Mallatratt's stage adaptation of Susan Hill's gothic novel about a creepy old house on a marshy coast of England and the specter that haunts it.
The Woman in Black
Over 30 years and countless terrified audiences later the production is still going strong, with a permanent home in the West End's Fortune Theatre and a number of tours under its belt. The current touring production sees Robert Goodale and Daniel Easton take on the well-trodden roles of Arthur Kipps and the Actor respectively, bringing with them their own unique flair. Goodale comes into his own when playing the more eccentric characters from Arthur's tale, conjuring more than a few laughs from the audience. Easton brings a similar joviality to his role, particularly towards the beginning of the production, but evokes a sternness when in character as the younger Arthur that keeps the tension high. Mallatratt's script is at times verbose enough that it could lose the audience's interest, and it is a testament to both the performers and Robin Herford 's direction that the delivery of the text has enough character and rhythm to remain engaging throughout. Having seen the production in its London home many years ago, I was a little concerned that the set would not translate well into another theatre, but Michael Holt 's design holds its own in York Theatre Royal. The multi-level backdrop set behind a ghostly transparent curtain is as effective as ever, creating silhouettes and shadows that have the audience anticipating a scare at every corner.
Review: The Woman In Black at York Theatre Royal
It opened in and is now one of the longest running shows in the West End. It is a two-hander with an ingenious use of props, spectacular sound effects and multi-layered storytelling. The emphasis is on tight structure and the building of suspense through the narrative so a wicker trunk is used as train seats and a horse and trap ,well accompanied by appropriate sounds. The last visit to York was handicapped by the lack of proper black-out so that the building of tension failed to produce the climax it deserves.
The Woman in Black is a stage play , adapted by Stephen Mallatratt. The play is based on the book of the same name by English author Susan Hill. It is notable for only having three actors perform the whole play.
The Woman in Black
Packages Now on Sale. A lawyer obsessed with a curse that he believes has been cast over him and his family by the specter of a woman in black engages a skeptical young actor to help him tell his terrifying story and hopefully exorcise the fear that grips his soul. As they reach further into his darkest memories, they find themselves snared in a world of eerie marshes and moaning winds. All titles, artists and dates subject to change.
Now celebrating three decades in the West End, Robin Herford's gripping production is a brilliantly successful study in atmosphere, illusion and controlled horror. A lawyer obsessed with a curse that he believes has been cast over him and his family by the spectre of a Woman in Black, engages a sceptical young actor to help him tell his terrifying story and exorcise the fear that grips his soul. It all begins innocently enough, but then, as they reach further into his darkest memories, they find themselves caught up in a world of eerie marshes and moaning winds. Rated 5 out of 5 by SeanP from Fun, true to the book and thrilling After reading the book I went to see the play to solidify my understanding of the story. It was instantly worth it when I saw how the theatre production adapted the play to still fix the story. There were also a few jump scares and the ocassional loud noises which really emphasised the significance of the Woman in Black.
The Woman In Black |
I refer to those ritualized entertainments that air and arrange our nastiest fears, while scrupulously honoring quaint and orderly narrative traditions, soothing even as they frighten. The appetite for this genre would seem to be vast at the moment. Yet when a touring version set up cobwebby shop Off Broadway at the Minetta Lane Theater in , it managed fewer than 50 performances. But I felt that in the raw maw of this bleak winter, I was definitely in the mood for whatever gently macabre release a cozy thriller might provide. My instincts were correct.
Over the decades, The Woman in Black has gained the reputation of being the scariest spine-chiller ever put on stage. Elderly solicitor Arthur Kipps Robert Goodale is haunted by an encounter he had with the Woman in Black several decades ago. In an attempt to come to terms with the past, he hires an unnamed actor Daniel Easton to help him dramatise his tale.
The Woman in Black – Review – York Theatre Royal
BWW Review: THE WOMAN IN BLACK, York Theatre Royal